This part of the website is where you can find up-to-date news and reports.
We have decided to introduce online talks via Zoom, given the current situation regarding Covid 19.
There appears to be no immediate signs of the situation improving so we have arranged a programme for members to take the place of the monthly talks in Stroud.
For information on upcoming events click here.
We are also working on a new website – more details on that soon.
The Cemetery Day on April has been postponed because of the Covid-19 restrictions. We will announce a new date in due course, perhaps on Heritage Open Day in September.
We are planning various other future events including an exciting tour by Tim Mars of roof top gardens in London
If you have travelled along Cainscross Road during the past couple of months, you may have been intrigued by the sight of a tall crane lifting elaborate pieces of timber, as if part of a giant jigsaw. At first a timber skeleton has emerged and then walls have been raised of clean, precise wood, appearing almost like flower petals. A team of skilled workmen have been assembling these shapes and gradually a building has formed before us. And what a structure, almost organic in form with complex shapes intersecting.
The Stroud Civic Society visit took place just after the last timber panels had been secured and at the invitation of the Christian Community. Our party was able to go inside the Church and see the crystallised form. We were privileged to be introduced to the building by the Architect Nick Pople and the Structural Engineer David Tasker. They explained that the choice of timber for the main construction was based on the versatility of the material, the finish and acoustic properties which will resonate sound. While the wood itself is a carbon capture and will reduce or counteract the carbon content of the building.
The sensation of the design is uplifting. Twenty or more visitors, all with yellow high viz jackets and safety helmets, entered the main space. All eyes were drawn upwards by the form of the walls, which are faceted to imply pillars, defined by the intersecting planes of the walls. Above these planes branch out almost as the underside of a Gothic fan vault. The ceiling gains a dynamic as a result of the intersecting planes which intensify towards the Apse where the altar will be placed. The five-sided window openings are high up and take up the pattern of the faceting, as the window heads fit into the pitch of the roof vaults. The windows will be glazed with white glass.
This building uses a new wood building technology called Cross Laminated Timber, a form of plywood, writ large, 15cm thick or more. Each panel has been calculated and drawn in the office of the architect and checked by the engineer before the information is sent to Munich in Germany. There, the measurements are translated into panels with exact angles to intersect with its neighbour, each numbered and then shipped to Stroud. The building team assembling them come from Ireland from where they travel to sites wherever this system is to be used. The degree of precision is astonishing. Most joint lines and junctions are only a few millimetres wide. All the fixings are invisible, being on the outer shell. It has been a daunting task for the builders because they are handling the internal finished surface at the structural stage, where conventional construction would be overlaid with finishes such as plaster. All the electrical sockets and lighting have to be pre-determined and fed from the back of the structure. The chapel is tall and is surrounded by a range of single storey rooms which will have sedum roofs. So from the road, the chapel will appear to stand above the surrounding podium. The exterior will reflect the shape of the interior. The roof will have cedar shingles and the exterior walls covered with an insulation and render.
The Civic Society and those who attended the site visit are grateful to the Christian Community for allowing us this glimpse of the building. This was a special moment in time just before the finishing stages when the bones beneath the skin are visible.
Particular thanks to Paul Abel and Tim Alloway for the site arrangements. We look forward to visiting the completed building which is to be consecrated in October. We are sure that it will add to the architectural interest of Stroud.
The Society enjoyed a fascinating and well-attended talk on Thursday 24th January by Andrew King of New Leaf Studio on landscape design for urban spaces.
He gave an in-depth account of the design process behind Gloucester Cathedral Green—the new public space in front of the cathedral that has transformed the cathedral’s setting and now offers a welcoming green oasis in the centre of the city where previously were just acres of tarmac and serried ranks of parked cars
Andrew explained the evolution of the final design based of a series of concentric circles intersecting with an ellipse and a spiral (see plan). These formal geometries are disrupted by a diagonal path to the south porch providing a direct pedestrian route to the cathedral from College Court.
The spiral is described by a beautifully detailed limestone wall incorporating benches and prominent stone blocks inscribed with accounts of milestones in the cathedral’s long and tumultuous history. This wall encloses a bed of herbaceous drift planting and culminates in the centre with a circular stone platform designed to feature an ever-changing display of artworks—like the fourth plinth in Trafalgar Square.
Tactile paving for the visually impaired has been beautifully and unobtrusively incorporated in the design—so different from the crude concrete ‘tram lines’ that disfigure the floor of the new ‘Transport Hub’ bus station nearby.
Andrew described the complex considerations and consultations that informed the evolution of the final design and the various difficulties encountered during its implementation. He also talked in less detail about two schemes in Bristol—Champion Square at Cabot Circus and Brunswick Cemetery.
The talk was a real eye-opener—and the result at Gloucester is a triumph. If finally offers a fitting setting for this architectural jewel in Gloucester’s crown.
Whether you heard the talk or not, do make a point of going to see Gloucester Cathedral Green. This is an outstanding scheme, imaginative, elegant, practical, well thought-out and beautifully executed—particularly if you remember what went before. It makes one further despair about the shabby shambles of Stroud’s broken, disfigured, ruined streetscape.
We have had two accounts sent in about our Christmas trip to Strawberry Hill. This is the second – by David Austin:
A wonderful day out, one could say fantastic.
We were transported by an excellent guide into the 1760’s and a Gothic illusion, a confection of trompe l’oeil and gilded papier-mâché . Strawberry Hill Gothic became a term for an architectural style, but the house is very much in the character of a stage setting , a sequence of rooms each designed to impart a stunning impression and surprise.
Walpole invented the word Serendipity to describe the unforeseen effects of lighting, coloured glass and strong colour effects that arise for example as the sunlight shines through a lancet window of blue and golden glass and strikes the plane of a green wall and angle of ceiling.
The house was a twenty year labour of love and perseverance by Horace Walpole, which in his later stages became grandiose verging on bling in the deep red walls and gilded fan vaulted ceiling and mirrored surfaces of the Gallery. The special exhibition created with enormous curating skill has assembled 147 pieces out of over one thousand pictures, miniatures and artefacts that Walpole collected and crammed into his house. Those items retrieved through record from the 1843 dispersal sale, have furnished the rooms to give some sense of how the house would have felt if one was among the thousands who visited Strawberry Hill House and were so impressed in the late eighteenth century.
We have had two accounts sent in about our Christmas trip to Strawberry Hill. This is the first – by Sue Houseago:
On Tuesday, December 11th, Stroud Civic Society left Stratford Park to travel to Twickenham. This was our Chairwoman, Juliet Shipman’s choice of the Society’s Christmas outing – to visit the ‘Lost Treasures of Strawberry Hill.’
Our first glimpse of Horace Walpole’s Gothic Revival Villa with its gleaming white turrets, windows, steeples and Rapunzel’s tower was pure fairytale. The fantasy continued as we entered, the hall since walls and staircases are covered in carved limewood shapes appearing as if woven up two flights of limewood stairs.
Between 1749 and 1790 Walpole created his cascade of contrary effects; for example, glancing back from a shadowy room at the Crimson Gallery with its gilded filigree fan vault ceiling it appeared in the sunlight to be dripping gold. Splendidly hung paintings led us from Reynold’s portrayal of Walpole’s nieces seen as the three Graces ripe for marriage to Hillard’s Portrait Miniature of Sir Francis Drake.
Our super-informed guide explained that Walpole had chosen many of his treasures for their histories – an exquisite gilded lantern clock had belonging to Anne Boleyn before her beheading, when it made its way to Strawberry Hill, where Queen Victoria noticing it on a visit carried it off with her. “There it is again”, our guide rubbed her hands, “back where Walpole hung it”. Grinling Gibbon’s bizarre carved cravat, together with a locket wisp of Mary Tudor’s hair cut when her tomb was opened in 1784, show the sheer breadth and wonder of these extraordinary treasures. house.
After a jolly lunch we went our separate ways, my way, with a friend was to walk in the sun along the river to Twickenham, where after a visit to the Museum and Eel Pie Island, we came across a spectacle that had surely escaped from Strawberry Hill. A gleaming white Carrara marble cascade appeared – Venus, hair flowing, appeared riding a pair of prancing horses high above seven nubile naked women whose vigorous poses, all reflected in the fountain was a shock equal to a Strawberry Hill treasure.
This apparition, created by late 19th century sculptor Oscar Andreoni, provided, with a re-visit to Walpole’s house and gardens, a perfect and grand finale to a superb Civic Society Christmas outing.
Stroud District Council have just announced a consultation on the development of Brimscombe Port, the former canal basin that has long been filled in and used for light industry. The canal restoration plans envisage the site being re-excavated and becoming a attractive mixed use waterside site.
This is an ambitious project with many challenges. SDC’s published statement so far says (dates emphasised in bold):
Local residents are invited to give their views on the proposals prior to a planning application being submitted in the New Year for the necessary infrastructure including the canal basin and new access road and to establish the outline redevelopment proposals.
The project is particularly challenging as it involves engineering a new canal basin, river crossing, culverts and new roads.
Residents will have the chance to speak to the development’s engineer, architect, and council officers at the event between 3- 6.30pm on Thursday 13 December, in the West Suite of the listed Port Mill building in the centre of the port. The plans will also be available to be viewed during open times at The Ship Inn, Brimscombe until 20 December.
Brimscombe Port is a former inland port dating back to the 1780s which became redundant after the era of the canals as a mode of transport came to an end. It was filled in during the 1960s and developed as an industrial site, and was earmarked as in need of significant regeneration by Stroud District Council.
Due to the high infrastructure costs, the scheme requires public funding. The council was successful in securing £2m from Homes England in 2015 which kickstarted work to bring the development forward. This has now been match funded by Stroud District Council. Together, these contributions will enable the council to select a developer partner to create a unique waterside attraction.
SDC have given very little notice of this and this display period is not long – but there will also be a paper consultation available from www.stroud.gov.uk/brimscombeportfeedback from 13th December onwards. It is not yet clear when the consultation finishes so if you have views it may be best to make them known as soon as possible.
Further background information is available at https://www.stroud.gov.uk/environment/brimscombe-port
We are pleased to announce that this year’s Heritage Open Day will be held at Swinhay House near Wotton-under-Edge (by kind permission of Sir David McMurtry).
For more details see our initial announcement here: https://mailchi.mp/b0d50fb8028d/heritageopenday-swinhay-house-16sept18?e=56c0a37420
We need your help! As you can imagine this is going to be a sizeable operation and for the first time we will be serving teas.
Volunteers will be needed to help with parking, stewarding and serving teas. So do let us know if you can help!
Volunteering will guarantee you admission to Swinhay House as entry to the house and gardens is only with pre-booked tickets. All tickets will be available to the general public on a first come, first served basis.
To volunteer please email Julietshipman@hotmail.com or phone 01453 751751
Your society needs your help to make this event a success!
Full details will be circulated at a later date.